entrepreneur

For most of my career, I stood under the lights of multi-cam sitcom stages in Los Angeles. But after twenty years working on shows like Two and a Half Men, The Big Bang Theory, Fresh Off the Boat, and Wizards of Waverly Place, I realized something: the heart of those stories — the humor, the humanity, the sense of belonging — belongs in Middle America.

So I came home to build it.

Rock Paper Cannon

Founder & CEO (Est. 2025)

Rock Paper Cannon is the first independent television studio devoted exclusively to sitcoms.

We’re creating the next golden era of comedy — right where it belongs — in Middle America.

Rock Paper Cannon produces original, live-audience sitcoms that bring families together, create jobs in local communities, and celebrate the spirit of everyday people.

I can’t wait to step back on stage as a sitcom actress — but this time, it’s in my home state, creating both entertainment and opportunity for Oklahomans.

Alongside an incredible team of seasoned industry professionals, we’re taking big swings — developing original sitcoms, building a first-of-its-kind comedy hub, and creating a vibrant ecosystem where storytelling, community, and commerce intersect.

We’re merging entertainment, tourism, and workforce development to create something bigger than a studio — a movement that restores the creative community spirit television has been missing for far too long.

Comedy is healing. Laughter is the bridge that connects people and communities. Right now, the world needs more of that.

And when you can’t find what you’re looking for — you build it.

🎬 Follow at rockpapercannon.com
@rockpapercannon on LinkedIn, Instagram, and Facebook
Featured in: Yahoo! Entertainment

Prairie Surf Studios

Founder and CEO (2020-2024)

 

As founding CEO of Prairie Surf Studios, I led the conversion of Oklahoma City’s 1.3 million-square-foot convention center into one of the largest soundstage facilities in the Midwest.

During my tenure, we hosted major productions including Paramount+’s Tulsa King and Universal’s Twisters, delivering over $300 million in economic impact to Oklahoma City.

I also worked closely with state leaders to expand Oklahoma’s film incentive program, helping position the state as a national player in film and television production.

Our efforts put Oklahoma in the national spotlight with coverage in Variety, CBS Mornings, The New York Times, and AOL Entertainment.

📖 Read my exit feature on AOL Entertainment

Los Angeles Reagan Premiere

Special evening premiering this Oklahoma made film at the Chinese Mann in Los Angeles.

Oklahoma Twisters Premiere

Twisters stormed the red carpet in… OKLAHOMA! Loved watching our community experience this swanky affair – first of many! So amazing to celebrate this win with our film commissioners that worked so hard to support a film of this scale in our state. Congrats to the VILLAGE it took to get this! 

Producers Frank Marshall & Pat Crowley

Attending the State Chamber event with Twisters legendary producers Frank Marshall and Pat Crowley grabbing a photo op with Governor Kevin Stitt.

The Day the Banners Went UP.

My hope for these movie posters was that they would serve as a marker of hope for our next generation. Something to aspire to achieve, that welcomes you and reminds you to get back up on the hard days. We will get new ones up on the next studio!

Early days in Hollywood.

As much as I love being creative, I’m equally passionate about business. I’ve always built my career at the intersection of creativity and entrepreneurship — long before I founded Rock Paper Cannon. I never wanted to bartend; I wanted a business card.

One of my first jobs in Hollywood was as an editor, logging footage from red-carpet events. I was quickly promoted to producer, conducting celebrity interviews at award shows and movie premieres. As a young actor, it was a dream job — I got to talk to my idols. My favorite interview was Clint Eastwood at a benefit where we talked about our mutual friend, Gray Frederickson. Most memorable were Diana Ross and Muhammad Ali at the Collateral premiere. Coolest girl, hands down: Charlize Theron at Aeon Flux. Most surprising moment? Will Ferrell putting his lollipop in my mouth at the Elf premiere. My biggest laugh came with Stevie Wonder at the Muhammad Ali Benefit. 

That first job gave me the opportunity to interview nearly every icon in the business — from Tom Cruise to Steven Spielberg to Meryl Streep. Learning how these events worked early on shaped my understanding of the entertainment industry and strengthened my instincts as an entrepreneur. It also gave me the chance to help a startup grow into a profitable company — one that soon had top competitors courting me to bring that same success to their teams. 

It was then I realized: I’m a builder.

“I never dreamed of success, I worked for it.”

Estee Lauder